Jos Onos \u2014<\/p>\n
anos O n o s<\/p>\n
viSOS O N O S<\/p>\n
\u2014<\/p>\n
Onago<\/p>\n
On\u2014a\u2014go<\/p>\n
Ego On<\/p>\n
O<\/p>\n
No<\/p>\n
\u2014 \u2014 \u2014<\/p>\n
\u2014<\/p>\n
Keturios ONOS. Keturios nematomos sijos ir yran\u010dios grindys.<\/p>\n
Keturios formuoja erdv\u0119.<\/p>\n
Kuria k\u016bno ir santyki\u0173 architekt\u016br\u0105. l\u016b\u017ein\u0117jan\u010di\u0105, mai\u0161taujan\u010di\u0105, intymi\u0105.<\/p>\n
protestuoja, laukia, griauna tyl\u0105, susitaiko, pa\/i\u0161\/at-laiko.<\/p>\n
Renka nutyl\u0117tas istorijos detales.<\/p>\n
Per savo k\u016bnus leid\u017eia sugr\u012f\u017eti tam, kas liko nematoma.<\/p>\n
Onos atgaivina prarastas bals\u0173 vibracijas.<\/p>\n
Onos (at)kuria \u0161iandien.<\/p>\n
\u0160eiko \u0161okio teatro spektakliai \u2013 tai netik\u0117ti, daugiasluoksniai sceniniai pasakojimai, kuriuose susipina \u0161iuolaikinis \u0161okis, muzika, vizualieji menai. Spektakliuose KELIAUJAN\u010cIOS BA\u017dNY\u010cIOS, U\u017dPUSTYTI, INDIGO. DAS SCHLIEMANN PROJECT teatras i\u0161ry\u0161kino \u0161okio galimybes aktualius istorijos ir tapatyb\u0117s klausimus perkelti \u012f \u0161iuolaik\u0119 scen\u0105.<\/p>\n
Naujasis darbas ONOS t\u0119sia \u0161okio archeologijos linij\u0105. \u0160\u012fkart k\u016br\u0117jai atsigr\u0119\u017eia \u012f Lietuvos dvar\u0173 pasaul\u012f, \u010dia gyvenusi\u0173 moter\u0173 kasdienyb\u0119 ir likimus. Choreograf\u0117s Agnija \u0160eiko ir Lina Puod\u017eiukait\u0117-Lanauskien\u0117 drauge su k\u016brybine komanda nagrin\u0117ja, kaip nutyl\u0117jimai, praradimai ir istorij\u0173 interpretacijos suformavo m\u016bs\u0173 postkolonijin\u0119 tapatyb\u0119 bei i\u0161tryn\u0117 priklausymo bendruomenei jausm\u0105.<\/p>\n
Spektaklyje ONOS k\u016bnas tampa architekt\u016bra \u2013 judesys jungia erdv\u0119, jos elementus ir \u017emogaus vidin\u012f pasaul\u012f. ONOS \u2013 kaip bendrinis vardiklis \u2013 m\u0117gina surinkti i\u0161sibars\u010diusius prarastos istorijos fragmentus ir sugr\u0105\u017einti bals\u0105 toms, kurios gyveno ir dar gyvens.<\/p>\n
Choreograf\u0117s: Agnija \u0160eiko ir Lina Puod\u017eiukait\u0117-Lanauskien\u0117 bei \u0161ok\u0117jos<\/p>\n
\u0160ok\u0117jos: Gintar\u0117 Marija \u016as\u0117, Ugn\u0117 Kavaliauskait\u0117, Ema Senkuvien\u0117, Marija Iva\u0161kevi\u010di\u016bt\u0117<\/p>\n
Kompozitorius: Kristijonas Lu\u010dinskas<\/p>\n
Scenograf\u0117: Sigita \u0160imk\u016bnait\u0117<\/p>\n
Kostium\u0173 dailinink\u0117: Sandra Straukait\u0117<\/p>\n
Dramaturg\u0117: Goda Dap\u0161yt\u0117<\/p>\n
\u0160vies\u0173 dailininkas: Andrius Stasiulis<\/p>\n
Prodiuser\u0117: Judita Strumilait\u0117<\/p>\n
Produkcijos komanda: Rasa Mork\u016bnait\u0117, Darius Berulis, Vilma Rama\u0161auskait\u0117, Gintar\u0117 Marija \u016as\u0117, Edvardas Ka\u017earnovi\u010dius<\/p>\n
Spektaklyje naudojamos intensyvus ap\u0161vietimas.<\/p>\n
Projekt\u0105 finansuoja: Lietuvos kult\u016bros taryba, Klaip\u0117dos miesto savivaldyb\u0117, Neringos savivaldyb\u0117<\/p>\n
Partneriai: Nidos kult\u016bros ir turizmo informacijos centras \u201eAgila\u201c, Nacionalin\u0117 M.K \u010ciurlionio men\u0173 mokykla, Klaip\u0117dos kult\u016bros fabrikas.<\/p>\n
Pad\u0117ka : Dvar\u0173 architekt\u016bros konsultantei Daliai Puod\u017eiukienei, istorikei ir muziejininkei Kristinai Petrauskei<\/p>\n
Trukm\u0117: 60 min.<\/p>","protected":false},"excerpt":{"rendered":"
Jos Onos \u2014 anos O n o s viSOS O N O S \u2014 Onago On\u2014a\u2014go Ego On O No \u2014 \u2014 \u2014 \u2014 Keturios ONOS. Keturios nematomos sijos ir […]<\/p>\n","protected":false},"author":17,"featured_media":40943,"template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":""},"tags":[],"tribe_events_cat":[86],"class_list":["post-40939","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tribe_events_cat-sokis","cat_sokis"],"_links":{"self":[{"href":"https:\/\/vnb.lt\/en\/wp-json\/wp\/v2\/tribe_events\/40939","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vnb.lt\/en\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/vnb.lt\/en\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/vnb.lt\/en\/wp-json\/wp\/v2\/users\/17"}],"version-history":[{"count":1,"href":"https:\/\/vnb.lt\/en\/wp-json\/wp\/v2\/tribe_events\/40939\/revisions"}],"predecessor-version":[{"id":40942,"href":"https:\/\/vnb.lt\/en\/wp-json\/wp\/v2\/tribe_events\/40939\/revisions\/40942"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vnb.lt\/en\/wp-json\/wp\/v2\/media\/40943"}],"wp:attachment":[{"href":"https:\/\/vnb.lt\/en\/wp-json\/wp\/v2\/media?parent=40939"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vnb.lt\/en\/wp-json\/wp\/v2\/tags?post=40939"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/vnb.lt\/en\/wp-json\/wp\/v2\/tribe_events_cat?post=40939"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}