{"id":15153,"date":"2025-10-16T13:55:31","date_gmt":"2025-10-16T10:55:31","guid":{"rendered":"https:\/\/vnb.lt\/?post_type=tribe_events&#038;p=15153"},"modified":"2025-10-16T13:55:31","modified_gmt":"2025-10-16T10:55:31","slug":"garsas-antonina-nowacka-vejo-snabzdesys-per-menuli-ir-geles","status":"publish","type":"tribe_events","link":"https:\/\/vnb.lt\/en\/renginys\/garsas-antonina-nowacka-vejo-snabzdesys-per-menuli-ir-geles\/","title":{"rendered":"GARSAS: Antonina Nowacka &#8211; \u201eV\u0117jo \u0161nab\u017edesys per m\u0117nul\u012f ir g\u0117les&#8221;"},"content":{"rendered":"<p>Umede.lt festivalis pristato Antoninos Nowackos performans\u0105 balsui, arfai ir elektronikai \u201eV\u0117jo \u0161nab\u017edesys per m\u0117nul\u012f ir g\u0117les&#8221;, kur\u012f ap\u0161ildys pradedan\u010dios garso meninink\u0117s Gretos Onos eksperimentinio garso pasirodymas \u201eToksi\u0161kas \u017eyd\u0117jimas\u201c<\/p>\n<p>Antonina Nowacka, meninink\u0117, turinti vizualiojo meno i\u0161silavinim\u0105, dirbdama ir kurdama garso srityje, labiausiai domisi vaizduot\u0117s ir vizionieri\u0161k\u0173 pasakojim\u0173 k\u016brimu, pasitelkdama muzikos priemones. Jos kompozicijos daugiausia sukurtos naudojant savo bals\u0105, sintetinius garsus, \u012fvairius instrumentus, erdv\u0119 ir rezonans\u0105. Balsas skamba be \u017eod\u017ei\u0173, tai vibruojantis da\u017eni\u0173 laukas, kur\u012f Antonina formuoja \u012f gyvas ir harmoningas melodijas.<br \/>\nAntonina \u017eavisi unikaliomis garso savyb\u0117mis, susijusiomis su miglotumo, nuovargio, spindesio, pa\u017eeid\u017eiamumo atmosferomis ir nuotaikomis, primenan\u010diomis sapn\u0173 b\u016bsen\u0105. Savo praktikoje ji pirmiausia semiasi \u012fkv\u0117pimo i\u0161 hipnagogini\u0173 patir\u010di\u0173 tarp budrumo ir miego, neapr\u0117piam\u0173 kra\u0161tovaizd\u017ei\u0173, keist\u0173 organini\u0173 form\u0173, sen\u0173 tradicij\u0173 ir ritual\u0173 i\u0161 \u012fvairi\u0173 kult\u016br\u0173, senovin\u0117s architekt\u016bros, simbolizmo ir siurrealizmo.<br \/>\nJos k\u016briniai yra da\u017en\u0173 tyrin\u0117jim\u0173 kelioni\u0173 \u012f \u012fvairias \u0161alis ir \u017eemynus rezultatas, kur ji mokosi nauj\u0173 technik\u0173 ir po\u017ei\u016bri\u0173 \u012f \u012fvairius instrumentus, daugiausia perkurdama savo bals\u0105 naujais artikuliacijos b\u016bdais, priklausomai nuo konkre\u010dios vizijos ir aplinkybi\u0173. Tai apima garso \u012fra\u0161us ir gyvus pasirodymus, taip pat meditacinius garso seansus, sukelian\u010dius alteruot\u0105 s\u0105mon\u0117s b\u016bsen\u0105 per ypatingas garso savybes. K\u016brybos kryptis \u2013 gamtos paslaptis ir poezija, ne\u017einomyb\u0117s stebuklai ir dvasingumo ilgesys \u0161iuolaikiniame greitai besikei\u010dian\u010diame pasaulyje. Meninink\u0117 yra su\u017eav\u0117ta garso, kaip priemon\u0117s, galin\u010dios paveikti prot\u0105 ir k\u016bn\u0105, ir to, kad jis b\u016bdamas nematomu, kalba tiesiogiai su vaizduot\u0117s pasauliu.<br \/>\n~~~~~~~~<br \/>\nGreta Ona \u2013 tarpdisciplinin\u0117 meninink\u0117, dirbanti su garsu, performansu ir instaliacija, tyrin\u0117janti subtilius mainus tarp k\u016bn\u0173, aplinkos ir technologij\u0173. Jos k\u016bryba atsiskleid\u017eia per atid\u0173 klausym\u0105si signal\u0173, vibracij\u0173, klaid\u0173 ir med\u017eiag\u0173, kurios da\u017enai lieka nepasteb\u0117tos. Per gars\u0105 ir judant\u012f vaizd\u0105 ji tiria, kaip buvimas tarpsta u\u017e to, kas yra matoma rib\u0173, ir kaip materija, atmintis ir suvokimas rezonuoja kartu.<br \/>\nDerindama organinius ir sintetinius elementus, Greta Ona kuria \u012ftraukian\u010dias aplinkas, kuriose riba tarp \u017emogi\u0161kojo ir ne\u017emogi\u0161kojo ima nykti. Naudodama bals\u0105, lauko \u012fra\u0161us, stikl\u0105 ir savadarbius elektroninius instrumentus, ji formuoja trapias, kintan\u010dias erdves, svyruojan\u010dias tarp artumo ir tolumo, refleksijos ir trikd\u017ei\u0173. Jos k\u016briniai kvie\u010dia \u017ei\u016brovus \u017eengti \u012f trapias, besikei\u010dian\u010dias terpes, kuriose susipina suvokimas, atmintis ir buvimas.<br \/>\n\u2014 vien\u0105 dien\u0105 pasijutus toksi\u0161ka, nusprend\u017eiau pra\u017eysti.<br \/>\n\u201eToksi\u0161kas \u017eyd\u0117jimas\u201c \u2013 eksperimentinio garso performansas, tyrin\u0117jantis \u017emogaus ir cianobakterijos simbiontin\u012f ry\u0161\u012f \u2013 hibridin\u0119 b\u016btyb\u0119, gimstan\u010di\u0105 i\u0161 ekologinio ir emocinio toksi\u0161kumo. Naudodama lyr\u0105, garso \u012fra\u0161us, savadarbius sintezatorius ir i\u0161pl\u0117stines vokalo technikas, meninink\u0117 suteikia bals\u0105 mikrobinei gyvybei, paversdama nematomus ekologinius procesus garsine ir k\u016bni\u0161ka patirtimi. Tai \u2013 u\u017eter\u0161tumo ir ry\u0161io ritualas, kuriame riba tarp \u017emogaus ir dumbli\u0173 pradeda nykti, o toksi\u0161kumas virsta \u017eyd\u0117jimo forma.<\/p>","protected":false},"excerpt":{"rendered":"<p>Umede.lt festivalis pristato Antoninos Nowackos performans\u0105 balsui, arfai ir elektronikai \u201eV\u0117jo \u0161nab\u017edesys per m\u0117nul\u012f ir g\u0117les&#8221;, kur\u012f ap\u0161ildys pradedan\u010dios garso meninink\u0117s Gretos Onos eksperimentinio garso pasirodymas \u201eToksi\u0161kas \u017eyd\u0117jimas\u201c Antonina Nowacka, 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