jaun\u0173j\u0173 meninink\u0173 film\u0173 programa umede.lt festivalyje (67\u201842\u201c)
\nkurator\u0117s Milda Trimakait\u0117 ir Agn\u0117 Baland\u017ei\u016bnait\u0117
\nBilietai ir visa festivalio programa http:\/\/umede.lt\/
\nJuozo \u017dutauto filmas “Varpai skamba arti” (2025) \u2013 tai siurrealistin\u0117 istorija, \u012fkv\u0117pta partizaninio karo laik\u0173 \u012fvyki\u0173 Lietuvoje. Jame pasakojama apie moter\u012f vardu Maryja, kuri tardymo metu panyra \u012f savo prisiminimus ir jausmus. Istorija nagrin\u0117ja, k\u0105 rei\u0161kia b\u016bti kovotoju \u2013 ar mes pasirenkame kov\u0105, ar kova pasirenka mus.
\nEgl\u0117s Davidavi\u010d\u0117s \u201e\u0160ukavimas\u201c (2019) \u2013 tai savistabos \u012frankis, meditatyvus veiksmas, sukuriantis erdv\u0119 refleksijai. Animacija kuriamas autoportretas per judes\u012f ir laik\u0105, prisiminim\u0105 ir santyk\u012f su kitu. Plaukas tampa gija, jungian\u010dia praeit\u012f su dabartimi, prisiminimus bei esam\u0105 t\u0117vo ir dukros ry\u0161\u012f.
\nBeatri\u010d\u0117s Jackut\u0117s trumpa animacija \u201cPa\u017e\u0117k, Pab\u0117k, Pad\u0117k\u201d (2025) tyrin\u0117ja r\u016bpinimosi savimi bei kitais svarb\u0105 per \u017emogaus ir jo augalo santyk\u012f. \u0160ioje trumpoje istorija seka nuobod\u017ei\u0105 kasdienyb\u0119 \u017emogaus, kurio augalas vis vysta, nepasant \u017emogaus pastang\u0173 pad\u0117ti, gale jis supranta ma\u017e\u0173 poky\u010di\u0173 svarb\u0105, randant sveik\u0105 b\u016bd\u0105 subalansuoti meil\u0119 kitiems ir sau.
\nSonatos Vilkevi\u010di\u016bt\u0117s \u201cDilg\u0117linukas\u201d (2025) analizuoja nesuprasto \u017emogaus psichik\u0105 \u2013 kaip trauma paveikia elges\u012f ir prisiminimus.
\nDominykas Andriu\u0161kevi\u010dius savo video darbe stebi \u201cnei\u0161d\u017ei\u016bvusios arbatos tir\u0161\u010di\u0173 negyvenamas planetas\u201d(2025). Anot jo, esame pomir\u010dio antropologai, kuri\u0173 s\u0105mon\u0117s sprendiniai l\u016b\u017eo j\u0173 formul\u0117se, i\u0161gr\u0119\u017eta \u017emogaus s\u0105mon\u0117 tampa it rankos t\u0119stinumas, am\u017einai formuojantis monolitus, tuos pa\u010dius nei\u0161tirpstan\u010dius akmenis. autorius teigia, jog \u0161is video darbas kilo chemogram\u0173 k\u016brimo proceso metu, kuomet atsitraukus nuo rezultato ir sudarius s\u0105lygas vaizdui rastis, bet jo neprojektuojant, galima i\u0161silaisvinti i\u0161 \u017emogi\u0161ko noro ir intencijos sukurti ka\u017ek\u0105 \u2014 tarp prasmi\u0161ko ir esteti\u0161kai pamatuoto. Autorius mano, jog tik atsisakius racionali\u0173 sprendim\u0173 mene atsiveria tolimesnis matymas ir \u012fk\u016brimas: kai nematai, gali pamatyti toliau, kur arbatoje slepiasi negyvenamos planetos; nor\u0117damas jas i\u0161vysti, privalai pats tapti nei\u0161gyvenantis \u2014 atsisakyti savo buvimo.
\nSofijos Lauru\u0161onyt\u0117s Cervix Obscura. (Ne)Lie\u010diamumo archyvas (2025) analizuoja subtil\u0173, ,,nematom\u0105\u201d smurt\u0105. Grobuoni\u0161k\u0105 \u017evilgsn\u012f, kuris yra nura\u0161omas kaip nereik\u0161mingas, nepaisant jo pasekmi\u0173. \u0160is bei kiti patriarchalines normas paisan\u010dioje terp\u0117je (ne)pastebimi elgesiai yra giliai \u012fsi\u0161aknij\u0119, praleid\u017eiami pro akis, bet ilgainiui tampa smurto prie\u0161 moteris pagrindu. Gimda virsta fiziniu smurto archyvu. \u017dvelgia tiesiai kitam \u012f akis, neleid\u017eia likti nepasteb\u0117ta. Nagai transformuojasi \u012f kolektyvin\u0117s traumos, gynybos ir stereotipinio moteri\u0161kumo simbol\u012f, po kuriais kaupiasi \u012frodymai. \u0160i metafora akcentuoja, jog b\u016btent lytis (tiek socialin\u0117, tiek biologin\u0117) yra tai, kas s\u0105lygoja \u0161\u012f sistemin\u012f nusikaltim\u0105. \u0160ie elementai i\u0161ry\u0161kina, jog visuomen\u0117 atkreipia d\u0117mes\u012f jau tik \u012f \u017eiaurius nusikaltimus ar absurdi\u0161k\u0105, ta\u010diau (ne)pakankam\u0105 \u201e\u012frodym\u0173\u201c kiek\u012f. Patriarchalin\u0117je visuomen\u0117je organai yra nuolat stebimi, i\u0161 aukos transformuojamai \u012ftariamaisiais, po kuri\u0173 k\u016bn\u0105 klaid\u017eioja (ne)stabdomas \u017evilgsnis. Ta\u010diau kas \u012f k\u0105 \u017evelgia dabar?
\nIgnoto Kuprio I\u0161virk\u0161\u010dias (2025) atsiskleid\u017eia tarsi origamis \u2014 trapus vidinis pasaulio sulankstymas u\u017e u\u017edar\u0173 dur\u0173. Filmas apm\u0105sto hikikomori egzistencij\u0105, kur fizinis pasitraukimas susipina su kult\u016briniu \u012fsitraukimu. Medijos, vaizduot\u0117 ir subtil\u016bs trikd\u017eiai formuoja gle\u017en\u0105 erdv\u0119, kurioje pusiausvyra laikosi tarp vienatv\u0117s, dalyvavimo ir tylaus pasiprie\u0161inimo visuomen\u0117s ritmams.
\n\u201eChat, is this real?\u201c (Pokalbi, ar tai tikra) \u2013 fraz\u0117, kilusi i\u0161 transliacij\u0173 platform\u0173, naudojama, kai \u012fvyksta ka\u017ekas netik\u0117to ir transliacij\u0105 vedantis asmuo nori pasitikrinti, ar \u017ei\u016brovai taip pat tai mat\u0117. V\u0117liau \u0161i fraz\u0117 ironi\u0161kai prad\u0117ta naudoti kitose socialini\u0173 tinkl\u0173 platformose ir net kalbamojoje kalboje. Filme naudojamas tekstas surinktas i\u0161 \u201eInstagram\u201c mem\u0173 puslapi\u0173. Jis yra lakoni\u0161kas ir abstraktus, ta\u010diau akivaizd\u017eiai kreipiasi \u012f auditorij\u0105. Jor\u0117s \u010cerniauskait\u0117s filmas yra apie nerim\u0105, negeb\u0117jim\u0105 b\u016bti \u010dia ir dabar, realyb\u0117s ir interneto kult\u016bros susiliejim\u0105, socialini\u0173 tinkl\u0173 performatyvum\u0105 ir humoro bei abejingo, apati\u0161ko tono naudojim\u0105 siekiant i\u0161vengti pa\u017eeid\u017eiamumo kalbant apie asmeni\u0161kas ar jautrias temas.
\nDragas (2025) – tai Roberto Neveckos muzikinis vaizdo klipas, sukurtas Vilniaus pogrind\u017eio scenoje veikian\u010diai pankroko grupei \u201eLapkri\u010dio dvide\u0161imtosios orkestras\u201c, chaoti\u0161kum\u0105 pasitelkia kaip estetik\u0105. \u201eGlitch\u201c, suskaldyti skenavimai ir skaitmeninis triuk\u0161mas \u010dia virsta nenusp\u0117jamu vizualiniu potyriu. Naudojant \u201eBlender\u201c program\u0105 ir paprast\u0105 skenavimo aplikacij\u0105, klipas i\u0161kraipo realyb\u0119, atsisakydamas i\u0161gludintos CGI grafikos ir rinkdamasis pikseli\u0173 kupin\u0105 nefiltruot\u0105 pasaul\u012f. Grup\u0117s i\u0161kreipto garso ir \u201eglitch\u201c vaizd\u0173 sintez\u0117 atspindi j\u0173 eksperimentin\u012f po\u017ei\u016br\u012f \u012f muzik\u0105. \u0160ioje \u201eGlitchpunk odis\u0117joje\u201c netobulumas tampa meno forma, \u012frodan\u010dia, kad mai\u0161tas klesti skaitmenin\u0117je sumai\u0161tyje.
\nJau\u010diai gali skraidyti (2025) tai 20 minu\u010di\u0173 trukm\u0117s Marko Montvilo filmas i\u0161 rastos filmuotos med\u017eiagos, kuri jungia \u0161eimos prisiminimus, tremt\u012f ir Amerikos svajon\u0119. Sukurtas i\u0161 autoriaus senelio vaizdo \u012fra\u0161\u0173, \u012fra\u0161yt\u0173 jam gyvenant nelegaliai \u010cikagoje, i\u0161gyvenus vaikyst\u0117s tremt\u012f \u012f Sibir\u0105, filmas sujungia originalius jo garsus ir u\u017era\u0161us, kuriuos jis u\u017era\u0161\u0117 mokydamasis angl\u0173 kalbos. Jis tampa ir jo portretu, ir apm\u0105stymu apie paveld\u0117t\u0105 ilges\u012f, tapatyb\u0119 ir trapius tiltus, kuriuos statome tarp praeities ir ateities, t\u0117vyn\u0117s ir kitur, realyb\u0117s ir svajon\u0117s.<\/p>","protected":false},"excerpt":{"rendered":"
jaun\u0173j\u0173 meninink\u0173 film\u0173 programa umede.lt festivalyje (67\u201842\u201c) kurator\u0117s Milda Trimakait\u0117 ir Agn\u0117 Baland\u017ei\u016bnait\u0117 Bilietai ir visa festivalio programa http:\/\/umede.lt\/ Juozo \u017dutauto filmas “Varpai skamba arti” (2025) \u2013 tai siurrealistin\u0117 istorija, […]<\/p>\n","protected":false},"author":32,"featured_media":15145,"template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":""},"tags":[],"tribe_events_cat":[89],"class_list":["post-15143","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tribe_events_cat-kita","cat_kita"],"_links":{"self":[{"href":"https:\/\/vnb.lt\/en\/wp-json\/wp\/v2\/tribe_events\/15143","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vnb.lt\/en\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/vnb.lt\/en\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/vnb.lt\/en\/wp-json\/wp\/v2\/users\/32"}],"version-history":[{"count":1,"href":"https:\/\/vnb.lt\/en\/wp-json\/wp\/v2\/tribe_events\/15143\/revisions"}],"predecessor-version":[{"id":15144,"href":"https:\/\/vnb.lt\/en\/wp-json\/wp\/v2\/tribe_events\/15143\/revisions\/15144"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vnb.lt\/en\/wp-json\/wp\/v2\/media\/15145"}],"wp:attachment":[{"href":"https:\/\/vnb.lt\/en\/wp-json\/wp\/v2\/media?parent=15143"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vnb.lt\/en\/wp-json\/wp\/v2\/tags?post=15143"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/vnb.lt\/en\/wp-json\/wp\/v2\/tribe_events_cat?post=15143"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}